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Hattie Gossett is an African-American feminist playwright, poet, and magazine editor.〔(【引用サイトリンク】title=Biography of Hattie Gossett )〕 Her work focuses on bolstering the self-esteem of young black women.〔Hattie Gossett, ("21st century black warrior wimmins chant for strengthening the nerves" ), The Feminist eZine, retrieved on May 31, 2007.〕 ==Biography== Born in New Jersey, Gossett gained a Master of Fine Arts degree from New York University in 1993, where she was a Yip Harburg Fellow.〔 She was a David Randolph Distinguished Artist-in-Residence at The New School in 2001.〔(【引用サイトリンク】title=In the Community: The David Randolph Distinguished Artist-in-Residence Program )〕 Gossett was "involved in the planning stages" of ''Essence'' magazine, which was first published in 1970. She was also an early participant in the Kitchen Table: Women of Color Press collective founded in 1980 by Audre Lorde and Barbara Smith. She was also a staff editor with ''True Story'', ''Redbook'', ''McCall's'' and black theater magazines, and subsequently taught and did workshops on writing, black literature, and black music at Rutgers University, SUNY Empire State College, Oberlin College, and elsewhere.〔("Biography of Feminist Poet Hattie Gossett" ), The Feminist eZine.〕 Gossett's poetry collection ''Presenting...Sister Noblues'' was published by Firebrand Books in 1988. Her poem "between a rock and a hard place" is incorporated into the dance work ''Shelter'' by Jawole Willa Jo Zollar, as performed by the Alvin Ailey American Dance Theater beginning in 1995. She contributed a slave narrative style reading to the Andrea E. Woods dance ''Rememorabilia, Scraps From Out a Tin Can, Everybody Has Some''. She is also the author of the book ''the immigrant suite: hey xenophobe! Who you calling foreigner?''〔hattie gossett, (''the immigrant suite: hey xenophobe! who you calling foreigner?'' ), Seven Stories Press, 2007. Amazon.com.〕 Her work has appeared in many publications, including ''Artforum'', ''Black Scholar'', ''The Village Voice'', ''Conditions'', ''Essence'', ''Jazz Spotlite News'', ''Pleasure and Danger: Exploring Female Sexuality'', ''This Bridge Called My Back'', and ''Daughters of Africa''.〔Margaret Busby, ''Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent'' (192), London: Vintage, 1993, p. 550.〕〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hattie Gossett」の詳細全文を読む スポンサード リンク
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